SB-1000 Pro - Piano Gloss - Outlet - 1099

The subwoofer sounds good and is a good product but there is a detail that is disappointing, the amplifier has a frequency cut from 25hz down and even going down from 20hz the cut is very aggressive making it hear/feel absolutely nothing below 20hz or maybe 19hz, and there is no way to deactivate or modify that frequency cut, even by Reviews that I have seen, the ported equivalent PB-1000 PRO does not have that frequency cut or is not the same at least, I have seen it moving a lot its cone at 16hz something that the SB-1000 PRO can't do because of that frequency cut it has

El subwoofer suena bien y es un buen producto, pero hay un detalle que es decepcionante, el amplificador tiene un corte de frecuencia de 25hz hacia abajo e incluso bajando de 20hz, el corte es muy agresivo, lo que hace que no se escuche/sienta absolutamente nada por debajo de 20hz o tal vez 19hz, y no hay forma de desactivar o modificar ese corte de frecuencia, incluso por las revisiones que he visto, el equivalente porteado PB-1000 PRO no tiene ese corte de frecuencia o no es el mismo al menos, lo he visto excursionando mucho a 16hz, algo que el SB-1000 PRO no puede hacer debido a ese corte de frecuencia que tiene

Yes I know my TV is WAY undersized for my new living room, but my SVS subwoofers are not! Is a great setup for me playing both music in stereo and movies.

There was a PayPal snafu, but Scott in Arlington, Texas was all over it, and got the ball rolling seamlessly.

I’m looking forward to my next purchase, which will be two pairs of your white surrounds for 7.2, I just have to unpack the garage first.

I had a Velodyne ULD-15 15-inch sub, $2,000 in 1990 ($5,000 in today's money!) that was irreparably broken. I ordered one SB-1000 Pro--I was very impressed with it for $600 but found it somewhat lacking in detail, depth, and headroom, especially as compared to the ULD-15. The bass was also localized, even with the crossover at 60 Hz, so I ordered a second SB-1000 Pro on the outlet sale. Headroom and depth are much better and the localization problem is gone. They now hold their own with the opening of Philip Glass's "Mishima" and Bartok's "Miraculous Mandarin"--two deep bass and volume torture tests. Jaco Pastorius' bass on Weather Report's "Heavy Weather" and Tony Levin's on Peter Gabriel's "So" are more detailed and sound just fine. For less than $1,200 I've come very close to replacing the ULD-15. Thanks so much!